Robert Pattinson

ονοματακι δεν εχει;

Το γραφει, η ξανθια ειναι η Ντιλαν Πεν και η μελαχροινη η Σιντνει Λιμπς

my bad sorry! 

δεν πιστευω τιποτα πλεον απο αυτα που γραφονται για αυτον τον ανθρωπο

εξαλλου μην ξεχνατε ο πραγματικος του ερωτας ειμαι εγω απλα δεν το ξερει γιατι δεν με εχει γνωρισει 

   ναι ασπα ναι    

δεν καταλαβαινω ελινακι τι μπορει να εννοεις

μετα τη φωτο ασπα παιζει να μην καταλαβαινω και εγω 

ειδες?
αυτος ο αντρας οσο παει κ ομορφαινει
δεν ειναι λπγικο να τον θελει σχεδον ολος ο γυναικειος(κ οχι κμονο)πληθυσμος στον πλανητη?
ασε που εχει κ ταλεντο γυριζει την μια ταινια μετα την αλλη

   

Νέα φωτογραφία απ' τον Dior



(via http://robpattinson.blogspot.gr)

τελικα αυτος ο Dior ηξερε τι εκανε

πως να μην ερωτευτεις αυτο το χαμογελο?

μονο εγω ειμαι που εχω ξεχασει τι διαφημιζει;; 

νομιζω οχι 

Έλα καλέ, είπαμε χαζέψαμε αλλά όχι τόσο  

μπα η χαζομαρα οταν κοιταζω τα βιντεο κ τις φωτογραφιες μεγαλωνει 

Κι άλλες φωτογραφίες απ' τον Dior

Σπόιλερ:

Ακόμα περισσότερες εδώ http://robpattinson.blogspot.gr/2013/09/new-diorrob-pictures.html

θανατος απο dior δεν το περιμενα να πω την αληθεια

ψεκαστε τελειωσαμε... 

Συνέντευξη στο γαλλικό περιοδικό Sports & Style



Robert Pattinson "I wanted to be a musician"

Fond of boxing, British Rob Pattinson is inspired by the noble art's codes of honor and Arsenal's elegance to manage his career. Meeting in Los Angeles with the new face of Dior Homme fragrance.

Sprawled on the sofa of the suite 111 at the Beverly Hills Hotel in Hollywood, eyes unfocused, Rob Pattinson is obviously tired. The blame to a party that lasted late the night before. However, he welcomes his guests with respect and sincerity leaping suddenly to his feet. Backwards baseball cap, black shirt, jeans and sneakers, Diet Coke in hand, Robert Thomas Pattinson has very little to do with Edward Cullen, his character in the Twilight film series. At 27, Rob is more than just an English actor who conquered Hollywood, or even any international star of TV series. This discreet Londoner, cultured and elegant became a global icon adored by millions of fans. A comfortable but temporary status - and above all extremely cumbersome - that the actor is changing slowly and very cleverly: against type casting roles ('Bel Ami', 'The Rover' by David Michôd) adoption of a Cinema "father" in the person of David Cronenberg ('Cosmopolis' in 2012 and a new movie in preparation) and a sensational entrance in the fashion world this fall by becoming the new face of Dior Homme fragrance. Lots of consistent evidence which tell us at Sport & Style, that we should not miss Rob Pattinson. Here he is sitting again and it's our turn to play vampires to elicit informations

When did you start to be interested by comedy and realise the expressive potential it represents?
I started late in a drama club because I was a very shy child. It was a revelation: it was the first time I confront myself to my fears and the adrenaline rush was intense. Then, there was the first time I had the feeling to "build" something. It was for 'Little Ashes' in 2008, a weird film where I played Salvador Dalí. I really wanted to give credibility to this character and therefore to my performance.

You've also been a musician?
At the be beginning, I wanted to be a musician. It was still the case until Twilight. At that time, I was touring with a band in pubs around London. We were playing folk-pop but I've always prefered soul music more - Otis Redding, Van Morrison - than folk music.

What is elegance for you as an actor?
It is surely a balance between magnetism, aura, behavior, gestures, look. But elegance is also being able to listen and to speak.

What about style?
This is a way of expressing yourself, or rather a means of expression. Style is often viewed as a kind of cosmetic, a way of hiding yourself in a suit. On the contrary, i think that true style is first to have a good knowledge of who you are and also be very honest with yourself.

Is it difficult to find good scenarios when you are a superstar?
Yes, because it's difficult to know how the audience see you. Today, people know a lot of things about the actors outside of their profession. The choice of scenario is made by the intrinsic interest of the script, but also on what is almost a personal manifesto: choosing this character, it's me too!

Why did you choose 'The Rover' by David Michod which will be released soon? To go in the opposite direction of your public image?
Probably a little, it's part of the equation. I really wanted it, I auditioned twice! The script was wonderful, i worked hard. The story is fantastic, very original, told in a very innovative way. It was something that seemed very different from everything else and I wanted to be part of it.

Was your participation to a movie brand like the one you did with Romain Gavras for Dior, a way to help change your image to the public eye?
I hope. This adventure was very strange. Never would have I had imagined filming for a brand. However, the decision was easy to make and I never doubted it. If it was that easy it's cause it meant a lot to me, the fact that we all shared the same ideas and ambitions.

Romain Gavras was very admiring of your involvement in the project and of the way you played along...
This is why I wanted to do this project with him since the beginning because I knew he was as involved. In commercials, you always feel this feeling of discomfort, this distance between the director and the actors, between the product and the actors, between the movie and the audience... I didn't want that. In Romain's work, there is life, blood and sweat. A rawness you could almost touch. There was no way I'd be the guy who only poses but all the merit should go to Romain. He's the one who sparked off and inspired this kind of honesty.

You trust him completely?
Absolutely. As soon as I met him, I liked his attitude. He was a bit reserved, didn't say yes right away, he wanted to know me first. He told me who he was and what he wanted to do. I felt the same, we were on the same wave length. But we were right to be cautious because a misunderstanding between a director and an actor can create some abominations. I had complete faith in him. It said in my contract that I had the last word on what shot and kept but I never used it! I wanted Romain to produce what he had in mind, for it to be his movie.

So, no fears then...
None and it was incredible. Most of the times, working with big companies implies stating everything in the contract, but in this one no one was doubting or afraid.

What would be the American cinema without British actors?
It's true! It's incredible, isn't it? British or Australians. Or Canadians! It's annoying them, too. (laughs) When I first arrived in Hollywood, we were only a few, and people mocked our accent. Today, it's more: 'Go home!' I'm very curious to see how things will evolve.

It's a matter of different culture and backgrounds so of richer acting chops maybe...
Exactly. British actors' profiles have changed a lot those last few years. Comedians all come from middle class, and private schools where we learned theater. Just a few years ago, they came from every social background because they got scholarships from the government. It's evolved now, to be an actor in England, you need to have the means necessary or it's very difficult.

When we look back on your career, it feels like you were looking for something? Are you ambitious?
Yes. When you do one Twilight movie after another, you wonder if you ever gonna do something different. And then it happens with Cronenberg or someone else and you realize you can play stuff you never even thought about before. You have to take your chances.

What drew you in with Cronenberg, with whom you're working again after Cosmopolis?
He's an incredibly intelligent man for starters. Then, he's an artist with a complex integrity, who never did a movie for bad reasons and definitely not for money. He's an honorable man, if that word has any sense. Everyone feels it on set and he's one of the last who keeps pushing the limits, who keeps searching and that's great. He managed to keep his passion and curiosity intact.

What about sports? Are you still an Arsenal fan?
Yes, even if I don't keep up with the First League because the games air too early in California.
Lately, I've taken a big interest in boxing, I like to watch the lightweight categories: middleweight, welter, super-welter and the flyweights too.

What do you like about boxing, is it the choreographic aspect?
Yes, certainly and there's no other sport where defeat can be as terrible and painful. It's a sport, a terrifying discipline where honor has a big place. It's beautiful, really.

Do you think Arsène Wenger should stay in charge of Arsenal?
Yes, I always liked him but with time, he kind of developed a fear of winning.

That's a pretty French attitude...
Indeed. Arsenal is probably the only team in the First League that plays like a French team. They're more busy playing with elegance than trying to win! We don't win but we sure play well...

(via http://www.robstendreams.com)

Συνέντευξη στο Ελβετικό περιοδικό "Faces"

What kind of person is the man wearing Dior Homme?
He smells incredibly good! (laughs)

The campaign movie of Dior Homme begins with a scene at the beach. What of that do you remember from that?
We drove a small BMW along the beach. If you had stepped on the breaks the car would have immediately been mired in the sand, so we steadily drove 80 miles per hour, with the camera on board. And as the driver I was basically responsible for the other three models. The next thing I remember is the car speeding into the sea. The whole bumper fell off, it was wild! (laughs)

With you as the new face [of the fragrance], Dior Homme is reaching out to a completely new generation of young men. How would you describe them?
I just turned 27 and it wasn’t until now that I’ve come to realize that people don’t see me as a child anymore. It feels weird to finally see yourself as a grown up and to be treated like one by others. To describe my generation is difficult because for us the last ten years have been some kind of transition phase; and some of us still try to figure out what to do with all of that. At least that’s the case with me. (laughs)

Very often, certain smells are connected to memories. Do you have those?
I remember my dad, who has always worn Brut de Fabergé. He still has that fragrance and it reminds me of my early schooldays. As weird as it sounds but I still know exactly how he smells; it’s like it somehow burnt itself into my memory. Later, when I was about 12 years old, I started talking to girls and thought it would be cool to wear a perfume while doing that. I also remember vacation in Portugal. At the time I thought wearing a cool perfume would make me seem older. So that smell and hair wax had been my constant companions during that summer. (laughs)

Are there cities or countries that you connect with certain smells?
My dad’s from Yorkshire where there are a lot of moors and heather - that smell is simply amazing. We always spent Christmas there and even though I haven’t been there for years the smell never left me.

Do you have a favorite smell?
I like the smell of people. (laughs) I know that sounds a bit weird and probably has something to do with pheromones but you can often judge the character of a person by their scent. We surround ourselves with people who smell good for us, a process that most likely takes place completely subconsciously.

What does luxury mean to you?
Effortlessness. In my opinion real luxury is to not have to worry about anything. And when we shot the campaign [film] for Dior Homme it felt exactly like that.

What’s a perfect day for you?
I can’t really say, I just like to do stuff. At the moment I try to work on a story together with a friend. I like to communicate and share ideas with others and to work on a project. And every once in a while I love it to fight with people. (laughs)

Do you still play the guitar and piano?
I still play guitar and have just recently started to practice a bit more often again. But I haven’t had a gig in years. (laughs)

Do you currently have a favorite band or a favorite song?
To be quite honest, that’s pretty weird stuff - electronic music, for example, something I’ve never listened to before. A couple of friends of mine play in this awesome band, Death Grips, and they somehow really captivated me.

How would you describe your personal fashion style?
I actually just have a few basics that I wear every day. To me, what matters the most is whether something fits well or not. I don’t really care about anything else, just how it fits. So apart from that I usually wear the same piece of clothing until it literally falls off my body.

Who is your fashion icon?
I’ve always admired people who dressed practically. I somehow think that’s especially manly. I like clothes that last for a long time; until all that is left is the material they were made of. I’m thinking about Jack Nicholson’s clothes in “The Shining” or “One Flew over the Cuckoo’s Nest”; actually pretty much everything he’s worn in these films. When I was younger I constantly tried to dress exactly like that.

You never seem to take a break. But if you do what is your favorite place to relax?
Somewhere in England in the country.

Your favorite piece of literature?
Everything by Martin Amis.

Which word do you like hearing best?
Yes!

Twilight made you famous, Cosmopolis changed your image, and Roman Gavrais’s campaign movie for Dior is adding something unexpected to your character. How sweet does success smell?
Being an actor is something incredibly weird and the definition of success - which in itself is already strange - changes over the years. Of course success also has a good side: I don’t have to worry about only having to work for the money [anymore], at least for a couple of years. I have huge respect for all these films which is why I try to take the time and energy and make exciting decisions; decisions not everyone makes. I just said “try” but it’s funny, actually, because I don’t feel like I’ve already had some kind of success. But there is something about Dior that really works for me - the brand itself remains stoically independent and that is exactly what I’d like to try for myself at the moment.

(via http://www.robstendreams.com)

Συνέντευξη στο Πορτογαλλικό περιοδικό Lux

You just closed the partnership with Dior. Was the invite for the campaign a surprise? (Elle Brazil)
When Dior contacted me, I was truly shocked at first because their name alone is almost mythical. It's a very sofisticated fashion house, that never compromises their image. They approached me in the right way and at the right time because Twilight was coming to an end. I remember I was impressed when I met with the creative team and saw that they had an extremely open mind. Their interest was in an artistic collaboration, more than the commercial itself.

Easily convinced?
Not easily! [laughs] I was never attracted by publicity, probably because I didn't think it was real acting. When they contacted me I had already grown as an actor and made some movies, that's why I felt some legitimacy. When we discussed ideas and directors, everyone involved looked really fearless. I started to see that as doing a short film and got excited. Turned out to be a challenge and supplement my film work in a very interesting way.

What does luxury mean to you? (Faces Switzerland)
Effortlessness. In my opinion real luxury is to not have to worry about anything. And when we shot the campaign [film] for Dior Homme it felt exactly like that.

What about natural elegance?
I wouldn't associate elegance to aesthetics. As luxury, it has to be natural, effortless. It has more to do with how some people exude energy, because they are comfortable with themselves. Elegance also has to do with 'listen', instead of wanting everything to be about us.

With you as the new face [of the fragrance], Dior Homme is reaching out to a completely new generation of young men. How would you describe them? (Faces Switzerland)
I just turned 27 and it wasn’t until now that I’ve come to realize that people don’t see me as a child anymore. It feels weird to finally see yourself as a grown up and to be treated like one by others. To describe my generation is difficult because for us the last ten years have been some kind of transition phase; and some of us still try to figure out what to do with all of that. At least that’s the case with me. (laughs)

What does masculinity mean to you? (Wienerin Austria)
Traditional masculinity doesn’t work anymore in today’s modern world. It’s a weird time for guys. Well, it’s probably also a weird time for girls (laughs). Masculinity, to me that always means being reliable and relatively pragmatic. But it also stands for so many ambiguous things. As an actor you often have to express certain ambiguities in a character. You’re both reliable and wild or loving and carefree at the same time. I don’t know if that is something I’d associate with masculinity. I just know that the code has changed massively over the past few years.

Do men have a different idea of women today as well? (Gala Germany)
I just don´t get why so many guys feel threatened by strong women. I always felt at ease with women around, I grew up with two older sisters and a very dominant mother.

Very often, certain smells are connected to memories. Do you have those? (Faces Switzerland)
I remember my dad, who has always worn Brut de Fabergé. He still has that fragrance and it reminds me of my early schooldays. As weird as it sounds but I still know exactly how he smells; it’s like it somehow burnt itself into my memory. Later, when I was about 12 years old, I started talking to girls and thought it would be cool to wear a perfume while doing that. I also remember vacation in Portugal. At the time I thought wearing a cool perfume would make me seem older. So that smell and hair wax had been my constant companions during that summer. (laughs)

Do you have a favorite smell? (Faces Switzerland)
I like the smell of people. (laughs) I know that sounds a bit weird and probably has something to do with pheromones but you can often judge the character of a person by their scent. We surround ourselves with people who smell good for us, a process that most likely takes place completely subconsciously.

What kind of woman could wear Dior Homme?
A free spirit. A woman with her own attitude, that doesn't want to just have a "beautiful" aroma or do they expect from her. Clearly, a woman who isn't confused about her femininity.

Nan Goldin took your pictures for this campaign. Were you familiar with her work and exhibitions?
Really well, I had seen a few of her exhibitions, but I had never met her. It was another thing that intrigued me about this job, that she was an unconventional choice. I was really excited about that.

Why did you choose Romain Gavras to direct Dior's film? (Elle Brazil + new quote in the end)
I've wanted to work with him for a long time. To be honest, I tried to get in contact with him for about a year. He used to be like: "I'm not going to talk to you". Until I told him that I wanted him to direct Dior's commercial. That's when he finally met me! (laughs)I was obsessed with his work in 'Our Day Will Come'. He has a visual language completely different from everything I've seen before. When I noticed that it was Romain's first movie, I thought "Who is this guy?". I started watching his Justice videos that caused so much buzz...

Not to mention the controversy...
You could see that he felt joy, as if he was laughing at that. I like that kind of energy in a director. I remember saying that his video had a "violence without meaning or end". Well, it's how the world is at this moment. I thought his work and vision so universal that I wanted to make a film with him. When I finally met him, I found out that he's actually a really sweet person, that just genuinely think things are fun. Romain is genuinely subversive, loves to cause controversy. It's the kind of director that loves to "throw a bomb" and see what happens.

The chemistry between you and the model-actress Camille Rowe in this short film is really important. Have you met before?
We hadn't met yet. Camille had a small part in 'Our Day Will Come' and Romain knew she would be perfect to fit the "mood" of the film and he was right. There were moments when her presence there softened what I was doing just because she's so fun, has a free spirit. She was only going with the flow. To describe her, I would use the sentence: "do what you want".

The ad is really sexy
That was mostly Camille. She brought something really special to the film. Most of the time with perfume commercials they seem to be really distant of the people watching, I don't know why. But with Romain it's always something visceral. Like [missing word in the scan] bloody, dirty, sweaty. He said: "We should film something outright sexual and have fun with that".

Is freedom something important to you? (Wienerin Austria)
Absolutely. Once you’ve become a part of the public eye, you’re professional life is often confined. You’re stereotyped and caught in a certain character who people associate you with. Sometimes I like to make a joke out of manipulating the way people perceive me. I want artistic freedom even if it’s just to challenge myself over and over again. One of my latest roles, in “The Rover”, was very liberating by the way. We shot the movie in Australia, in the middle of nowhere. The character I play doesn’t have any teeth and was covered in mud and dirt from head to toe. But I didn’t care. I was running around half naked and was able to do things you usually can’t do when you’re constantly watched.

What’s a perfect day for you? (Faces Switzerland)
I can’t really say, I just like to do stuff. At the moment I try to work on a story together with a friend. I like to communicate and share ideas with others and to work on a project. And every once in a while I love it to fight with people. (laughs)

Let's have a discussion then...
It's weird, but talking about it with someone smart, intelligent, about something is one of the most satisfying things you can do. The coolest part of writing scripts is that it's almost always a collaborative work. You know that, when you get to the set, people will get small layers from you. Small parts, but it's in big scale. Like a fiction movie. I hope it works.

We know you really like music, you've written a few songs and played live. Who suggested Led Zeppelin's iconic song to this ad?
Let's say it took a while to get to it. Months before we started shooting, Romain sent me a song he had in mind, and I thought: 'Oh, really?'. It was simply the opposite of what I thought for what Dior ad could be... We ended up not using it. That's why we explored so many other songs. As soon as someone sent us this Led Zeppelin's copy I was like: 'Oh yeah!'. It's weird, but this solid song ended up working. The rhythm is perfect.

Do you still play the guitar and piano? (Faces Switzerland)
I still play guitar and have just recently started to practice a bit more often again. But I haven’t had a gig in years. (laughs)

How would you describe your personal fashion style? (Faces Switzerland)
I actually just have a few basics that I wear every day. To me, what matters the most is whether something fits well or not. I don’t really care about anything else, just how it fits. So apart from that I usually wear the same piece of clothing until it literally falls off my body.

Who is your fashion icon? (Faces Switzerland)
I’ve always admired people who dressed practically. I somehow think that’s especially manly. I like clothes that last for a long time; until all that is left is the material they were made of. I’m thinking about Jack Nicholson’s clothes in “The Shining” or “One Flew over the Cuckoo’s Nest”; actually pretty much everything he’s worn in these films. When I was younger I constantly tried to dress exactly like that.

The partnership with Cronenberg seems to be going really well. Elle Brazil
I had such a good experience in Cosmopolis! David is an incredible person, and the most fun, intriguing man to work with I've ever met. He has been making movies for the last 40 years, and every film he makes shows just how unusual he is. We started shooting his new movie recently. It's called Maps To The Stars, with Julianne Moore and John Cusack. The scripts of these two films are amongst the most original ones I've ever read, that's why I hope to continue working with him forever.

Twilight made you famous, Cosmopolis changed your image, and Romain Gavras’ campaign movie for Dior is adding something unexpected to your character. How sweet does success smell? (Faces Switzerland)
Being an actor is something incredibly weird and the definition of success - which in itself is already strange - changes over the years. Of course success also has a good side: I don’t have to worry about only having to work for the money [anymore], at least for a couple of years. I have huge respect for all these films which is why I try to take the time and energy and make exciting decisions; decisions not everyone makes. I just said “try” but it’s funny, actually, because I don’t feel like I’ve already had some kind of success. But there is something about Dior that really works for me - the brand itself remains stoically independent and that is exactly what I’d like to try for myself at the moment.


Δεν πρόκειται ακριβώς για συνέντευξη, αλλά μάλλον για ερωταπαντήσεις απ' το πρόμο του Dior (παλιές & καινούριες)

http://robpattinson.blogspot.gr/2013/10/rob-in-lux-magazine-portugal-new.html

τοσες συνεντευξεις δεν ειχε δωσει ουτε για το 2008 για το twilight!!!
φτου σου παληκαρι μου να σε χαιρεται η μανουλα σου!!!

μεγαλωνει και εξελισσεται

βεβαια δεν ξερω πως να ερμηνευσω οτι συνηθως φοραει το ισιο ρουχο μεχρι να του πσει απο το σωμα κυ-ρι-ο-λε-κτι-κα 

 

να του πεσει απο το σωμα ή να του το τραβηξουν απο πανω του?